Introduction to Television Studies
350-291-001
 
Instructor: Jamie Poster (poster@uwm.edu) 
Office: Curtin 518, 229-5445 
Hours: M 11:30am to 1:20pm
MW 3:30 to 5:20
Curtin 104

Course Description: 

This course will analyze the medium in terms of its history, narrative, style, technique, editing, sound, and representation. We will watch programs from the 50's to the present, marking and investigating TV's transformations as it moves with/creates cultural history. Weekly readings will introduce us to the technology of television, as well as methods of analysis (technical, ideological, semiotic, and feminist, among others). Our goal in this course will be to acquire and utilize rigorous skills for reading television in terms of its production and signification. 

Required Texts: 

Television: Critical Methods and Applications 

Jeremy G. Butler (available at UWM bookstore) 

Course pack available (1/24) at Clark Graphics on Oakland and Locust.

Course Policies: 

Attendance: 

Attendance is required; I will take roll daily. More than two absences will negatively impact your final grade. Missing multiple classes guarantees marginal to deficient performance in the class overall. You must attend and participate in the course screenings and discussions for success in this class. Even if you have already seen a particular film, you are required to attend class. Additionally, consistent lateness will not be tolerated. 

Class Participation: 

This class relies on the active and engaged participation of all students. We will spend the majority of class time discussing the readings and screenings. Taking part in these conversations will result in more complete and intelligent understanding of the material, and therefore greater success in the course. 

Assignments: 

  • Weekly/daily readings.
  • Short Writing Assignments: Throughout the semester, you will be asked to write a one or two page analysis of a give program based on the weekly readings.
  • Midterm and final exams (both take-home essays).
  • Lots of television watching!
Grading:  20% Participation (attendance and taking an active role in discussions) 

10% Short Writing Assignments 

30% Midterm 

40% Final

 
Week 1 

Jan 22 

Jan 24

Introduction to Course 

Butler – Chapters 1 and 2 "Ebb and Flow", "Narrative Structure"

Twilight Zone 

Primetime Line-up

Week 2 

Jan 29 

Jan 31

Butler – Chapter 3 "Building Narrative" 

Mini-analysis assignment distributed

Seinfeld 

Roseanne

Week 3 

Feb 5 

Feb 7

Butler – Chapter 4 "Beyond and Beside Narrative" 

1 to 2 page mini-analysis due today.

Survivor 2 

VH1’s Behind the Music

Week 4 

Feb 12 

Feb 14

Butler – Chapter 5 "Style and Setting: Mise-en-scene" 

CP - "The Beginnings of American Television" by William Boddy 

ER 

West Wing

Week 5 

Feb 19 

Feb 21

Butler – Chapter 6 "Style and the Camera" Sopranos (Episode 1) 

Screening TBA

Week 6 

Feb 26 

Feb 28

Butler – Chapter 7 "Style and Editing" Northern Exposure 

Screening TBA

Week 7 

Mar 5 

Mar 7

Butler – Chapter 8 "Style and Sound" 

Possible additional reading TBA 

Midterm take-home questions distributed

Who Wants to be a Millionaire? 

Screening TBA

Week 8 

Mar 12 

Mar 14

Butler – Chapter 9 "A History of Television Style"  

Possible additional reading TBA 

Midterm DUE

The Honeymooners 

The Munsters 

The Odd Couple

Week 9 

Mar 19 

Mar 21

  

Spring Break

 
Week 10 

Mar 26 

Mar 28

Butler – Chapter 10 "Music Television" 

Butler – Chapter 11 "Animated Television"

MTV and VH1 

The Simpsons

Week 11 

Apr 2 

  

Apr 4

CP – "Situation Comedy, Feminism, and Freud: Discourses of Gracie and Lucy" by Patricia Mellencamp 

CP – "Melodramatic Identifications: Television Fiction and Women’s Fantasy" by Ien Ang 

Second mini-analysis assignment distributed

I Love Lucy 

  

Dawson’s Creek or Felicity

Week 12 

Apr 9 

  

Apr 11

CP – "The Search for Tomorrow in Today’s Soap Operas: Notes on a Feminine Narrative Form" by Tania Modleski  

Readings TBA (Sexuality) 

1 to 2 page mini-analysis due today.

B&B or Y&L and Dark Shadows 

Ellen 

Week 13 

Apr 16 

  

Apr 18

CP - "Here Comes the Judge: The Dancing Itos and the Televisual Construction of the Enemy Asian Male" by Brian Locke 

CP - "Extra-Special Effects: Televisual Representation and the Claims of ‘the Black Experience’" by Brian Harper

Julia  

The Jeffersons 

The Cosby Show 

Kung Fu: Legend Continues 

All in the Family

Week 14 

Apr 23 

  

Apr 25

CP - "TV Time and Catastrophe, or Beyond the Pleasure Principle of Television" by Patricia Mellencamp TLC or Discovery Reality Programs 

Screening TBA

Week 15 

Apr 30 

May 2

CP – "Appetite and Satisfaction, a Golden Circle: Magic and Commerce in Twin Peaks" by Richard Dienst   

Twin Peaks (2-hour pilot) 

 

Week 16 

May 7 

May 9

CP – "Digital Television and the Emerging Formats" by Janet Murray 

CP – "Alternative Technology, Alternative Uses?" by Raymond Williams 

Final take-home questions distributed

Screening TBA 

The Awful Truth