Introduction to Television
Studies
350-291-001
Instructor:
Jamie Poster (poster@uwm.edu)
Office: Curtin 518, 229-5445
Hours: M 11:30am to 1:20pm |
MW 3:30 to 5:20
Curtin 104
|
Course Description:
This course will analyze the medium in terms
of its history, narrative, style, technique, editing, sound, and representation.
We will watch programs from the 50's to the present, marking and investigating
TV's transformations as it moves with/creates cultural history. Weekly
readings will introduce us to the technology of television, as well as
methods of analysis (technical, ideological, semiotic, and feminist, among
others). Our goal in this course will be to acquire and utilize rigorous
skills for reading television in terms of its production and signification.
Required Texts:
Television: Critical Methods
and Applications
Jeremy G. Butler (available
at UWM bookstore)
Course pack available (1/24)
at Clark Graphics on Oakland and Locust.
Course Policies:
Attendance:
Attendance is required; I will
take roll daily. More than two absences will negatively impact your final
grade. Missing multiple classes guarantees marginal to deficient performance
in the class overall. You must attend and participate in the course screenings
and discussions for success in this class. Even if you have already seen
a particular film, you are required to attend class. Additionally, consistent
lateness will not be tolerated.
Class Participation:
This class relies on the active
and engaged participation of all students. We will spend the majority of
class time discussing the readings and screenings. Taking part in these
conversations will result in more complete and intelligent understanding
of the material, and therefore greater success in the course.
Assignments:
-
Weekly/daily readings.
-
Short Writing Assignments: Throughout
the semester, you will be asked to write a one or two page analysis of
a give program based on the weekly readings.
-
Midterm and final exams (both take-home
essays).
-
Lots of television watching!
Grading:
20% Participation (attendance
and taking an active role in discussions)
10% Short Writing Assignments
30% Midterm
40% Final
| Week
1
Jan 22
Jan 24 |
Introduction
to Course
Butler – Chapters 1 and 2 "Ebb
and Flow", "Narrative Structure" |
Twilight
Zone
Primetime Line-up |
| Week
2
Jan 29
Jan 31 |
Butler
– Chapter 3 "Building Narrative"
Mini-analysis assignment
distributed |
Seinfeld
Roseanne |
| Week
3
Feb 5
Feb 7 |
Butler
– Chapter 4 "Beyond and Beside Narrative"
1 to 2 page mini-analysis
due today. |
Survivor
2
VH1’s Behind the Music |
| Week
4
Feb 12
Feb 14 |
Butler
– Chapter 5 "Style and Setting: Mise-en-scene"
CP - "The Beginnings of American
Television" by William Boddy |
ER
West Wing |
| Week
5
Feb 19
Feb 21 |
Butler
– Chapter 6 "Style and the Camera" |
Sopranos
(Episode 1)
Screening TBA |
| Week
6
Feb 26
Feb 28 |
Butler
– Chapter 7 "Style and Editing" |
Northern
Exposure
Screening TBA |
| Week
7
Mar 5
Mar 7 |
Butler
– Chapter 8 "Style and Sound"
Possible additional reading
TBA
Midterm take-home questions
distributed |
Who
Wants to be a Millionaire?
Screening TBA |
| Week
8
Mar 12
Mar 14 |
Butler
– Chapter 9 "A History of Television Style"
Possible additional reading
TBA
Midterm DUE |
The
Honeymooners
The Munsters
The Odd Couple |
| Week
9
Mar 19
Mar 21 |
Spring Break |
|
| Week
10
Mar 26
Mar 28 |
Butler
– Chapter 10 "Music Television"
Butler – Chapter 11 "Animated
Television" |
MTV
and VH1
The Simpsons |
| Week
11
Apr 2
Apr 4 |
CP –
"Situation Comedy, Feminism, and Freud: Discourses of Gracie and Lucy"
by Patricia Mellencamp
CP – "Melodramatic Identifications:
Television Fiction and Women’s Fantasy" by Ien Ang
Second mini-analysis assignment
distributed |
I
Love Lucy
Dawson’s Creek or Felicity |
| Week
12
Apr 9
Apr 11 |
CP –
"The Search for Tomorrow in Today’s Soap Operas: Notes on a Feminine Narrative
Form" by Tania Modleski
Readings TBA (Sexuality)
1 to 2 page mini-analysis
due today. |
B&B
or Y&L and Dark Shadows
Ellen |
| Week
13
Apr 16
Apr 18 |
CP -
"Here Comes the Judge: The Dancing Itos and the Televisual Construction
of the Enemy Asian Male" by Brian Locke
CP - "Extra-Special Effects:
Televisual Representation and the Claims of ‘the Black Experience’" by
Brian Harper |
Julia
The Jeffersons
The Cosby Show
Kung Fu: Legend Continues
All in the Family |
| Week
14
Apr 23
Apr 25 |
CP -
"TV Time and Catastrophe, or Beyond the Pleasure Principle of Television"
by Patricia Mellencamp |
TLC
or Discovery Reality Programs
Screening TBA |
| Week
15
Apr 30
May 2 |
CP –
"Appetite and Satisfaction, a Golden Circle: Magic and Commerce in Twin
Peaks" by Richard Dienst |
Twin Peaks (2-hour pilot)
|
| Week
16
May 7
May 9 |
CP –
"Digital Television and the Emerging Formats" by Janet Murray
CP – "Alternative Technology,
Alternative Uses?" by Raymond Williams
Final take-home questions
distributed |
Screening
TBA
The Awful Truth |
|