ÉTATS-UNIS
Du Plessis (Eric H.) [Radford University], An English Translation of Honoré de Balzac's Novel Wann-Chlore,
Lewiston, New York, Mellen Press, 2005.
Schocket (Deborah Houk) [Bowling Green State University], Modes of Seduction: Sexual Power in Balzac
and Sand, Madison, New Jersey, Fairleigh Dickinson University Press, 2005.
Pasco (Allan H.) [University of Kansas], éd., Nouvelles françaises du dix-neuvième siècle, Charlottesville,
Virginia, Rockwood Press, 2006 [L'Auberge rouge, Le Colonel Chabert, Le Chef
d'oeuvre inconnu].
Raser (Timothy Bell) [University of Georgia], ed., Peripheries of Nineteenth-Century French Studies: Views from the Edge,
Newark, University of Delaware Press, 2002.
Ce livre comporte 5 chapitres sur Balzac:
·
Marie-Pierre Le Hir (Case Western Reserve University), « Balzac's
Bretons: Racism and National Identity in Les
Chouans »;
·
Mary Jane Cowles (Kenyon College), « Napoleon's Compass: The
Third Term of History in Balzac's Les
Chouans »;
·
Michael Tilby (Selwyn College, Cambridge University, England),
« Terrritorial Peripheries: Balzac's Forests »;
·
Dorothy Kelly (Boston University), « Rewriting Reproduction:
Balzac's Fantasy of Creation »;
·
Owen Heathcote (University of Bradford), « Playing with the
Coup de foudre: The Subversion of Drag in Sarrasine
and The Crying Game ».
Ulea (V.) [University of Pennsylvania], A Concept of Dramatic Genre and the Comedy of a New type: Chess,
Literature, and Film, Carbondale, Southern Illinois University Press, 2002
[Le Père Goriot, Gobseck, La Comédie humaine].
April (Robert S.) [Mount Sinai School of Medicine], « Representation of the
Dead Body in Literature and Medical Writing during the Restoration in France
(1799-1848) », Images of the Corpse: From
the Renaissance to Cyberspace, éd. Elizabeth Klaver, Madison, Wisconsin,
Popular Press, 2004, p. 63-87 [Le Père
Goriot, La Peau de chagrin].
Belenky (Masha) [The George Washington University], « Letters, Lies, and Legible Urban Space in Balzac's Ferragus », Romance Notes, 45, 2, hiver 2005, p. 193-202.
Bell (David F.) [Duke University], « Writing, Movement/Space, Democracy:
On Jacques Rancière's Literary History », SubStance:
A Review of Theory and Literary Criticism, 33, 1, 2004, p. 126-140 [Le Curé de Village].
Bridgeman (Teresa) [University
of Bristol], « Thinking Ahead: A Cognitive Approach to Prolepsis », Narrative, 13, 2, mai 2005, p. 125-159 [La Cousine Bette].
Carpenter (Scott D.) [
Heathcote (Owen) [University of Bradford], « Le Militaire apprivoisé? Les
Soldats de Balzac, de Guyotat et de Claire Denis au service de la masculinité
queer », Aimez-vous le queer?, éd. Lawrence
R. Schehr, New York, Rodopi, 2005, p. 13-29.
Hiner (Susan) [Vassar
College], « Lust for Luxe: 'Cashmere
Fever' in Nineteenth-Century France
», Journal for Early Modern Cultural
Studies, 5, 1, printemps-été 2005, p. 76-98 [La Cousine Bette, Autre étude
de femme, Ferragus].
Hunt (Maurice) [Baylor University], « Balzac vs. Shakespeare: Making
Empathy Personal », Conference of College
Teachers of English Studies, 71, 2006, p. 1-8.
Jameson (Fredric) [Duke University], « The Political Unconscious », The Novel: An Anthology of Criticism and
Theory, 1900-2000, Malden, éd Dorothy J. Hale, Massachusetts, Blackwell,
2006, p. 413-433.
Lathers (Marie) [Case Western Reserve University], « Sculpted Texts », Modern French Literary Studies in the
Classroom: Pedagogical Strategies, New York, Modern Language Association of
America, 2004, p.164-173 [Sarrasine].
Mallard (Grégoire) [Princeton University], « Interpreters of the Literary Canon and their Technical Instruments: The Case of Balzac Criticism », American Sociological Review, 70, 6, décembre 2005, p. 992-1010.
Nesci (Catherine) [University of California, Santa Barbara], « George
Sand, Champfleury et la genèse du réalisme: Autour d'une esthétique de la
médiation », Genèses du roman: Balzac et
Sand, éd. Lucienne Frappier-Mazur, Amsterdam, Netherlands: Rodopi, 2004, p.
23-38.
Olds, Marshall C. [University of Nebraska], « Globalisation and 'la pièce
de cent sous': Balzac's Nation-State », Currencies:
Fiscal Fortunes and Cultural Capital in Nineteenth-Century France, éd.
Sarah Capatanio et al., Oxford,
England, Peter Lang, 2005, p. 175-191.
Pasco, Allan H. [University of Kansas], «The Tangible and the Intangible
in Balzac's Le Curé de Tours », Currencies: Fiscal Fortunes and Cultural
Capital in Nineteenth-Century France, éd. Sarah Capatanio et al., Oxford, England, Peter Lang,
2005, p. 133-145.
Samuels (Maurice) [
Smith (Edward C., III) [ Rowan University], « The 'Case' of
Honoré de Balzac's Le Colonel Chabert:
Vagrancy and National Amnesia as Depicted in Le Hénaff's 1943 Film », The Image of the Hero in Literature, Media,
and Society, Pueblo, Colorado, Colorado State University, 2004, p. 32-35.
Thibault (Bruno) [University of Delaware], « La Transposition dans Prénom Carmen de Jean-Luc Godard et dans
La Belle Noiseuse de Jacques Rivette »,
The French Review, 79, 2, 2005, p.
332-342 [Le Chef d’oeuvre inconnu].
Tilby (Michael) [Selwyn College, Cambridge University, England], « A
Private Drama of Sexual Identity: Balzac's Le
Médecin de campagne », Nineteenth-Century
French Studies, 34, 3-4, printemps-été 2006, p. 235-251.
Wing (Nathaniel) [Louisiana
State University], « Urban Body, Erotic Body », dans son livre Between Genders: Narrating Difference in
Early French Modernism, Newark, Delaware, University of Delaware Press,
2004 [La Fille aux yeux d'or].
Woloch (Alex) [Stanford University], « A qui la place? Characterization and Competition: Le Père Goriot and La Comédie humaine », dans son livre The One vs. the Many, Princeton, New Jersey, Princeton University
Press, 2003 [Le Père Goriot, Le Cousin Pons, Les Employés ].
Au colloque « Balzac, Temps et Mémoire » présenté par le Groupe d'Etudes
Balzaciennes, à Paris en mai
2006, Scott Sprenger (Brigham Young University) a présenté une communication sur « La mémoire involontaire et la temporalité de
la conscience moderne chez Balzac »; et également au colloque « Pierre et
Plume » à l'Université de Nîmes
en juillet 2006, il a présente « Balzac's Sarrasine and the Archaeology of Psychopathology ».
Le 32e colloque annuel de la société
Nineteenth-Century French Studies a eu lieu à la
Les voici: Raina
Forbes Uhden (Virginia Polytechnic), « Alchemy and
Art: ‘Le Charbon ardent’ in Balzac’s La Recherche de l’Absolu and ‘Des
artistes’ »; Stéphane Vachon
(Université de Montréal), « Balzac 1857 »; Armine Kotin Mortimer (University
of Illinois), « Balzac’s Invention of Realism: For Love or for Money »; Susan Hiner (Vassar College), « Orienting Objects in Balzac’s Cousine Bette »; Michael Tilby
(Selwyn College, Cambridge University, England), « New words for old? – Balzac
and the poetics of the neologism »; Brigitte Mahuzier
(
http://www.southalabama.edu/languages/french/NCFS_2007_CFP.htm
Braswell
(Suzanne Fuller), Dance, Movement, and
the Emergence of a Modernist Poetics: Balzac, Mallarmé, Claudel, Valéry, and
Cendrars, dir. Sydney Levy, 2005, University of California, Santa Barbara.
Geiger
(Marion), Poetics of illness: From Honoré
de Balzac to Thomas Mann [texte en français], dir. Jacques Neefs, 2006,
Johns Hopkins University [L'Envers de
l'histoire contemporaine].
Hassouna
(Djehane A.), The Echo of Solitude in the Romantic Representations of the Sea:
Multivalence of a Motif in Romance Literatures, dir. Giuseppina Mecchia,
2005, University Of Pittsburgh.
Kaplin
(David), The Best Policy: Lying and
National Identity in Victorian and French Novels, dir. Andrew H. Miller and
Oscar Kenshur, 2005, Indiana University.
McGann
(Tara), A Fever of Speculation: Narrating
Finance in the Nineteenth-Century Novel, 2006 Columbia University [César Birotteau, La Maison Nucingen].
Perciali
(Irene), Personifying Capitalism: Economic Imagination, the Novel, and the Entrepreneur,
dir. Michael Lucey, 2005, University of California, Berkeley.
Scoular
(Bryan T.), Shadows of Spain:
Continuities of the Conflictive Age in the Nineteenth Century, dir. James
D. Fernandez, 2006, New York University [Chapitre 3: l'importance de l'Espagne
dans la politique et la poétique balzaciennes].
Soileau
(Clany), Money and Tragedy in the
Nineteenth-Century Novel, dir. Joseph S. Yenni et Joseph Ricapito, 2006,
Louisiana State University and Agricultural & Mechanical College [Le Père Goriot].
Uhden
(Raina Forbes), Décomposer, c'est créer: Alchemy and Art in Selected Works of Honoré de
Balzac, dir. Dominique Jullien, 2006, Columbia University [La Recherche de l'Absolu, Sarrasine, Illusions perdues].
Wadhera
(Priya), Copy Play: The Discourse on Art in Georges Perec's 'Un
Cabinet d'amateur' and Its Intertexts, dir. Dominique Jullien, 2005,
Columbia University [Pierre Grassou].
Walter (David Daniel), The Influence
of Honoré de Balzac's Splendeurs et misères des courtisanes and La Fille
aux yeux d'or on William Faulkner's Absalom, Absalom!, dir.
Michael Lucey, 2004, University of California, Berkeley.
V -- Comptes rendus d'ouvrages
concernant Balzac
Bell (David F.), Real Time:
Accelerating Narrative from Balzac to Zola, in The French Review, 79, 6, mai 2006, p. 1371-1372 (John T. Booker).
Kashiwagi (Takao), Balzac, romancier
du regard, in Romanic Review, 97,
1, janvier 2006, p. 93-94 (Claudie Bernard).
Lathers (Marie), Bodies of Art:
French Literary Realism and the Artist's Model, in Nineteenth-Century French Studies, 32, 3-4, printemps-été 2004, p.
374-376 (Beth Segal Wright).
Lucey (Michael), The Misfit of the
Family, in Modern Philology, 103,
2, novembre 2005, p. 282-285 (Catherine Nesci); également in GLQ: A Journal of Lesbian and Gay Studies,
11, 1, 2005, p.153-155 (Carla Freccero).
Madden (James C.), Weaving Balzac's
Web: Spinning Tales and Creating the Whole of La Comédie humaine, in The French Review, 79, 5, avril 2006, p.
1065-1066 (John T. Booker).
Mainardi (Patricia), Husbands,
Wives, and Lovers, in Nineteenth-Century
French Studies, 34, 1-2, automne-hiver 2005-2006, p. 166-168 (Nicholas
White).
Petrey (Sandy), In the Court of the
Pear King, in The American Historical
Review, 111, 2, avril 2006, p. 572-573 (Gonzalo J. Sanchez); également in The French Review, 80, 2, décembre 2006,
p. 461-462 (Laurence M. Porter).
Raser (Timothy Bell), ed., Peripheries
of Nineteenth-Century French Studies: Views from the Edge, in The French Review, 77, 3, février 2004, p.
591-592 (Annabelle M. Rea) [cinq articles sur Balzac].
Samuels (Maurice), The Spectacular
Past, in The Journal of Modern
History, 78, 3, septembre 2006, p.
726-728 (Stéphane Gerson); également in L'Esprit
créateur, 46, 2, été 2006, p. 111 (Nicholas Dobelbower); également in The French Review, 80, 1, octobre 2006,
p. 211-212 (Hope Christiansen); également in MLQ, 67, 3, septembre 2006, p. 400-404 (Evelyne Ender).
Ulea (V.), A Concept of Dramatic
Genre and the Comedy of a New type: Chess, Literature, and Film, in Comparative Literature Studies, 43, 1-2,
septembre 2006, p. 208-209 (Donald Rayfield).
Wing (Nathaniel), Between Genders:
Narrating Difference in Early French Modernism, [La Fille aux yeux d'or] in Nineteenth-Century
French Studies, 34, 1-2, automne-hiver 2005-2006, p. 174-176 (Michael Lucey);
également in South Central Review,
22, 2, 2005, p. 146-148 (Margaret Waller).
Woloch (Alex), The One vs. the Many,
in Modern Language Quarterly, 66, 3,
septembre 2005, p. 400-403 (Jesse Matz); également in Nineteenth-Century French Studies, 34, 1-2, automne-hiver
2005-2006, p. 156-157 (William Olmstead).
James
Mileham.