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Tips for Women

Accessories, Jewelry, Makeup, Perfume and Nails

Accessories An expensive black or burgundy leather portfolio is an excellent choice for the female applicant. Do not bring your purse and portfolio to the interview. (You'll look awkward juggling them around.) Instead, transfer essential items to a small clutch bag you can store in the portfolio. Be sure to include copies of your resume in your portfolio in case you are asked for a copy of it.

Jewelry As far as jewelry goes, less is more. A woman should restrict rings to engagement or wedding bands if they are applicable, but she can wear a necklace and earrings, as long as they are subdued and professional looking. In addition, a single bracelet on the woman's wrist is acceptable: anything around the ankle is not. Remember, too much of the wrong kind of jewelry can keep a woman from receiving an offer she might otherwise receive. It may possibly inhibit her promotional opportunities once hired. If you have multiple earrings in one ear, it is wise to remove the extras before the interview. After you get the job you may want to find out what jewelry is appropriate and what is not.

Makeup The bad thing about being a guy is that they get up in the morning and that is the best they will ever look. Fortunately women have makeup to help mother nature out. Be sure to take care never to appear overly made-up. Natural is the key word; eye makeup should be subtle, so as not to overwhelm the rest of the face.

Perfume Use perfume sparingly! Some people are allergic to it and some people just don't like it.

Nails Clear polish or a french manicure are the best. Many men are affected by colored nails, so why take a risk at an interview.

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  Beta Alpha Psi


A national honor society for accounting majors. The Eta Theta chapter is located at the University of Wisconsin - Milwaukee.



 Requirements for joining Beta Alpha Psi Eta Theta Chapter
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Contact us at: danette@uwmvax.uwm.edu


August 29-September 1 Bastille Days

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Beta Alpha Psi Officers

President - Curt Wegner

President -Elect- Paul Meyer

Vice President- Kristen Kies

VP-Membership- Susan Michalski

Reporting Secretary-John Karls

Reporting Secretary-Elect- Danette Eibl

Recording Secretary- Reema Anwar

Treasurer- Chris Bahr

Internal Auditor- Robert Frye

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This page last updated on July 27, 1996.

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Tips for Women

The Blouse

With the regard to blouses, long sleeves will project the authoritative, professional look you desire. Three-quarter-length sleeves are less desirable, and they are followed in turn by short sleeves. Never wear a sleeveless blouse to an interview. (You may be confident that there is absolutely no chance that you will be required to remove your jacket, but why take the risk?)

Solid colors and natural fiber (particularly cotton and silk) are the beat selections for blouses. If the blouse is cotton have it starched professionally at the cleaners. Some of the better synthetic blends resemble silk and are appropriate.

The acceptable color spectrum is wider for blouses than for men's shirts, but it is not limitless. The most prudent choice is still white or cream which offer universal professional appeal. However, the appropriate color depends on the individual suit. For example, an emerald green suit with black trim might look best with a black blouse.

High neck blouses are the best choice. Stay away from scoop neck or V-neck blouses!

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Body Language

Sending Signals Without Words

Body language is extremly important in an interviewing situation. Some would argue that it is just as important as what you say and what is on your resume. Why? Because we can learn quite a bit about people from their non-verbal actions. This is one of the ways that an interviewer tries to size you up as a candidate.

When we are in stressful or uncomfortable situations, many of us have habits that can be distracting to other people. Certainly biting ones nails or fidgeting with ones hands could be distracting from what you are trying to say. These are exa mples of body language that can be harmful in an interviewing situation. Used correctly, however, body language can reinforce what you are saying and give greater impact to your statements. The following are tips to help you give the right non-verbal cl ues.


The Greeting
Facial / Head Signals
The Eyes
The Head
The Mouth
The Hands
Feet
Seven Signals for Success


The Greeting

Giving a "dead fish" handshake will not advance one's candidacy: neither will the opposite extreme, the iron-man bonecrusher grip.

The ideal handshake starts before the meeting actually occurs. Creating the right impression with the handshake is a three-step process. Be sure that:

  1. Your hands are clean and adequately manicured.
  2. Your hands are warm and reasonably free of perspiration. (There are a number of ways to ensure this, including washing hands in warm water at the interview site, holding one's hand close to the cheek for a few seconds, and even applying a little talc um powder.) If yopur hands sweat a lot, try to inconspicuously wipe them against the seat cushion upon rising to shake hands.
  3. The handshake itself is executed professionally and politely, with a firm grip and a warm smile.
Remember that if you initiate the handshake, you may send the message that you have a desire to dominate the interview; this is not a good impression to leave with one's potential boss. Better to wait a moment and allow the interviewer to initiate the sh ake. (If for any reason you find yourself initiating the handshake, do not pull back; if you do, you will appear indecisive. Instead, make the best of it, smile confidently, and make good eye contact.)

Use only one hand; always shake vertically. Do not extend your hand parallel to the floor, with the palm up, as this conveys submissiveness. Shake three times or so and then drop. Don't keep shaking! Be sure you put your hand out all the way into their hand so your thumbs touch. Do not give a wimpy fingertip hand shake. Be sure to smile and make eye contact when you are shaking someone's hand. EVERYBODY LOOKS BETTER WHEN THEY SMILE!


Facial / Head Signals

Once you take your seat, you can expect the interviewer to do most of the talking. You can also probably expect your nervousness to be at its height. Accordingly, you must be particularly careful about the nonverbal messages you send at this stage.

Now, while all parts of the body are capable of sending positive and negative signals, the head (including the eyes and mouth) is under the closest scrutiny. Most good interviewers will make an effort to establish and maintain eye contact, and thus you s hould expect that whatever messages you are sending from the facial region will be picked up, at least on a subliminal level.

Our language is full of expressions testifying to the powerful influence of facial signals. When we say that someone is shifty-eyed, is tight-lipped, has a furrowed brow, flashes bedroom eyes, stares into space, or grins like a Cheshire cat, we are speak ing in a kind of shorthand, and using a set of stereotypes that enables us to make judgments -- consciously or unconsciously -- about a person's abilities and qualities. Those judgments may not be accurate, but they are usually difficult to reverse.

Tight smiles and tension in the facial muscles often bespeak an inability to handle stress; little eye contact can communicate a desire to hide something; pursed lips are often associated with a secretive nature; and frowning, looking sideways, or peerin g over one's glasses can send signals of haughtiness and arrogance. Hardly the stuff of which winning interviews are made!


The Eyes

Looking at someone means showing interest in that person, and showing interest is a giant step forward in making the right impression. (Remember, each of us is our own favorite subject!)

Your aim should be to stay with a calm, steady, and nonthreatening gaze. It is easy to mismanage this, and so you may have to practice a bit to overcome the common hurdles in this area. Looking away from the interviewer for long periods while he is talk ing, closing your eyes while being addressed, repeatedly shifting focus from the subject to some other point: These are likely to leave the wrong impression.

Of course, there is a big difference between looking and staring at someone! Rather than looking the speaker straight-on at all times, create a mental triangle incorporating both eyes and the mouth; your eyes will follow a natural, continuous path along the three points. Maintain this approach for roughly three-quarters of the time; you can break your gaze to look at the interviewer's hands as points are emphasized, or to refer to your note pad. These techniques will allow you to leave the impression t hat you are attentive, sincere, and committed. Staring will only send the message that you are aggressive or belligerent.

Be wary of breaking eye contact too abruptly, and shifting your focus in ways that will disrupt the atmosphere of professionalism. Examining the interviewer below the shoulders, is a sign of overfamiliarity. (This is an especially important point to kee p in mind when being interviewed by someone of the opposite sex.)

The eyebrows send a message as well. Under stress, one's eyebrows may wrinkle; as we have seen, this sends a negative signal about our ability to handle challenges in the business world. The best advice on this score is simply to take a deep breath and collect yourself. Most of the tension that people feel at interviews has to do with anxiety about how to respond to what the interviewer will ask. Practice responses to traditional interview questions and relax, you will do a great job.


The Head

Rapidly nodding your head can leave the impression that you are impatient and eager to add something to the conversation -- if only the interviewer would let you. Slower nodding, on the other hand, emphasizes interest, shows that you are validating the c omments of your interviewer, and subtly encourages him to continue. Tilting the head slightly, when combined with eye contact and a natural smile, demonstrates friendliness and approachability. The tilt should be momentary and not exaggerated, almost li ke a bob of the head to one side. (Do not overuse this technique!)


The Mouth

One guiding principle of good body language is to turn upward rather than downward. Look at two boxers after a fight: the loser is slumped forward, brows knit and eyes downcast, while the winner's smiling face is thrust upward and outward. The victor's arms are raised high, his back is straight, his shoulders are square. In the first instance the signals we receive are those of anger, frustration, belligerence, and defeat; in the second, happiness, openness, warmth, and confidence.

Your smile is one of the most powerful positive body signals in your arsenal; it best exemplifies the up-is-best principle, as well. Offer an unforced, confident smile as frequently as opportunity and circumstances dictate. Avoid at all costs the techn ique that some applicants use: grinning idiotically for the length of the interview, no matter what. This will only communicate that you are either insincere or not quite on the right track.

It's worth remembering that the mouth provides a seemingly limitless supply of opportunities to convey weakness. This may be done by touching the mouth frequently (and, typically, unconsciously); "faking" a cough when confused with a difficult question; and/or gnawi ng on one's lips absentmindedly. Employing any of these "insincerity signs" when you are asked about say, why you lost your last job, will confirm or instill suspicions about your honesty and effectiveness.


The Hands

As we have seen, a confident and positive handshake breaks the ice and gets the interview moving in the right direction. Proper use of the hands throughout the rest of the interview will help to convey an above-board, "nothing-to-hide" message.

Watch out for hands and fingers that take on a life of their own, fidgeting with themselves or other objects such as pens, paper, or your hair. Pen tapping is interpreted as the action of an impatient person; this is an example of an otherwise trivial h abit that can take on immense significance in an interview situation. (Rarely will an interviewer ask you to stop doing something annoying; instead, he'll simply make a mental note that you are an annoying person, and congratulate himself for picking th is up before making the mistake of hiring you.)


The Feet

Some foot signals can have negative connotations. Women and men wearing slip-on shoes should beware of dangling the loose shoe from the toes; this can be quite distracting and, as it is a gesture often used to signal physical attraction, it has no place in a job interview. Likewise, avoid compulsive jabbing of the floor, desk, or chair with your foot; this can be perceived as a hostile and angry motion, and is likely to annoy the interviewer.


The Seven Signals for Success

So far we have focused primarily on the pitfalls to avoid; but what messages should be sent, and how? Here are seven general suggestions on good body language for the interview.
  1. Walk slowly, deliberately, and tall upon entering the room.
  2. On greeting the interviewer, give (and, hopefully, receive) a friendly "eyebrow flash": that brief, slight raising of the brows that calls attention to the face, encourages eye contact, and (when accompanied by a natural smile) sends the strong posit ive signal that the interview has gotten off to a good start.
  3. Use mirroring techniques. In other words, make an effort -- subtly! -- to reproduce the positive signals your interviewer sends. (Of course, you should never mirror negative body signals.) Say the interviewer leans forward to make a point; a few m oments later, you lean forward slightly in order to hear better. Say the interviewer leans back and laughs; you "laugh beneath" the interviewer's laughter, taking care not to overwhelm your partner by using an inappropriate volume level. This technique may seem contrived at first, but you will learn that it is far from that, if only you experiment a little.
  4. Maintain a naturally alert head position; keep your head up and your eyes front at all times.
  5. Remember to avert your gaze from time to time so as to avoid the impression that you are staring; when you do so, look confidently and calmly to the right or left; never look down.
  6. Do not hurry any movement.
  7. Relax with every breath.

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Dress for Success

Use these tips and suggestions to have a great interview. Much of the information contained on the following pages is adapted from the book "Knock 'em Dead" by Martin Yate. The book is published by Adams Media Corporation and is available for $12.95 in paperback.


How you look is extremely important in an interview. Remember that the interviewer is in charge of selecting people that he or she believes will represent the company well. Dressing sharp and being well groomed helps to make the right first impression. Did you know that over 90% of the decision on who to bring back for a second interview is made in the first two minutes? That speaks volumes about how critical the first impression you make is in ultimately obtaining the job you want. When interviewing it is most important to remember to dress conservatively, well within the acceptable business boundaries. Interviewing is not the time to show your individuality. You want your personality, drive, commitment to the profession, understanding of the business world, etc. to make you stand out, NOT YOUR CLOTHES!! Some of the suggestions contained here may not be what you want to hear (eg. shave your mustache, don't wear colored hose, etc.) The suggestions are based on research and the underlying philosophy that it is best to play it conservative when trying to get a job and not take risks which may cost you the position you are interested in obtaining.

Tips for Women

The following are the best current dress guidelines for women preparing for a professional interview. Women's styles change frequently, however, so you may want to consult with a business professional for further suggestions.


Suit
Blouse
Neckwear: Scarves
Shoes
Stockings or Pantyhose
Accessories, Jewelry, Makeup, Perfume and nails 66

Careers in Governmental Accounting

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Tips for Women

Stocking or Pantyhose

These should not make a statement of their own. Select neutral skintones in most cases. Taupe or a similar darker shade is the best choice. Avoid loud or glitzy colors that get looks. A bold black, of course, is out entirely. Did you know that some men are bothered by colored pantyhose? Why risk the interview over something like that. Once you have the job then you can wear any colors you feel are appropriate. Pantyhose and stockings are prone to developing runs at the worst possible moment. Keep and extra pair in your purse or briefcase.

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