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12th Annual Gay and Lesbian Film and Video Festival
The 12th Annual Milwaukee Gay and Lesbian Film and Video
Festival will be held Sept. 23-25 and Sept. 30-Oct. 2 at the Union Theatre.
Presenting local premiers of features, documentaries, and shorts, the
festival offers a broad spectrum of work by gay and lesbian artists.
Single tickets are $6 for the general public; $5.50 for students and
seniors. Festival passes are $50 for the general public; $45 for students
and seniors. The festival is presented by the Department of Film and
the School of the Arts. Call 229-6015 for more information. (Please
note that the schedule is subject to change, with titles to be added.)
THURSDAY, SEPT. 23
7 P.M.
"Eileen
is a Spy," by Sayer Frey (USA, 16mm, 1998)
Taking off from the young-adult novel "Harriet the Spy," Sayer Frey's
resourceful and smartly unconventional first feature is a daring mix
of appealing characters, an engaging narrative, and a personal documentary
exploration of female identity and same-sex attraction. Meet Eileen,
a preoccupied woman who fills her days with tasks of distraction - spying
on other people, burying road kill - instead of confronting her own
suppressed past. But then Eileen meets a free-spirited hitchhiker named
Jayne and, just maybe, their relationship will end Eileen's willed isolation.
Funny, poignant, and eye-opening, "Eileen is a Spy" is a truly independent
film.
Shown with "Goodbye to Love," by Shane Smith and Terry Finn (Canada,
video, 3 min., 1997)
"Get over it, girl: The relationship's over!" A spiffy little film
about the "triumph" of self-delusion. The music, natch, is cribbed from
The Carpenters.
9 p.m.
"Lola and Bilidikid," by Kutlug Ataman (Germany, in Turkish
and German with English subtitles, 35mm, 93 min., 1998)
Kutlug Ataman's tragic yet triumphant film about immigrant Turks in
Germany and the subculture of hustlers and cross-dressers that provides
haven for the 16-year-old Murat as he flees a homophobic and brutal
older brother. A groundbreaking film in the director's Turkish homeland.
Winner: Best Feature, 1999 New Festival, New York's Gay and Lesbian
Film Festival.
Shown with "Pensao Globo" by Matthias Muller (Germany/Portugal, 16mm,
15 min., 1997)
Approaching death, a traveler ends his aimless journeying at a hotel
in Lisbon. Presented as a series of intoxicating super-impositions,
"Pensao Globo" is a visually stunning film, effectively suggesting life's
permeable boundaries.
FRIDAY, SEPT. 24
7 P.M.
HISTORY LESSONS: SOME NEWS FROM THOSE WHO CAME BEFORE US
"Living with Pride: Ruth C. Ellis @ 100," by Yvonne Welbon
(USA, video, 65 min., 1999)
Yvonne Welbon has crafted a marvelous introduction to a winning personality.
Ruth C. Ellis, 100 years old this July, is a marvelously spirited African
American woman who has been out as a lesbian since her teens and was
fiercely independent even before that. Here, she shares tales of her
loves, her business ventures, her various communities, her activism,
and her bowling. In recounting her story as an lesbian and African American,
she proves to be a vital witness to a history not often revealed. Winner:
Best Documentary, 1999 San Francisco International Lesbian and Gay Film
and Video Festival.
Shown with "I Know a Place," by Roy Mitchell (Canada, video, 30 min.,
1999)
An important and refreshing contribution to queer history and queer
geography, "I Know a Place" is an intimate and completely engaging family
photo album of the thriving queer community of Sault Ste. Marie, Ontario,
a steel town perhaps removed from the alleged distractions of big-city
life. For decades, Bob Goddere presided over the gay and lesbian life
of the town, hosting dance parties in his basement. Consistently funny
and ultimately quite touching, "I Know a Place" valorizes the gays and
lesbians who work to make a life in their hometowns, however small.
Winner: Best Documentary, 1999 Toronto Gay and Lesbian Film Festival.
9 P.M.: TBA
SATURDAY, SEPT. 25
7 P.M.
"Head On," by Ana Kokkinos (Australia, 35mm, 104 min., 1998)
Ana Kokkinos's visually dynamic first feature hurtles headfirst to tell
the explosive, sex-and-drugs tale of Ari, the futilely rebellious son
of Greek immigrants, possibly on a downward spiral. During one wild,
unending night, he tries to find his place, maybe even accept himself,
as an immigrant's son and as a gay man in a xenophobic, homophobic Australia
and in his own patriarchal community. Winner: Best First Feature, 1999
San Francisco Lesbian and Gay Film Festival.
9 P.M.
SMALL STEPS TOWARDS HAPPINESS: AN EVENING OF GIRLS SHORTS
The standout in this program is Catherine Crouch's bittersweet
coming-of-age story. "One Small Step" tells of a young teenage girl's
crush on another and how her innocent pursuit of that love educates
her in harsh realities, loneliness, and possibilities. Other works feature
lesbian Trekkies (Amanda Taylor's "Fascinating"), a story of a voracious
ghost (Yau Ching's "I'm Starving"), an obsession with Buffy the Vampire
Slayer, or maybe her stunt double ( Julie Wyman's "Stunt Double: Meditations
on My Life with Buffy"), a married woman with an active dream life ("Sleep
Come Free Me"), a lesbian taken to shadowing a man (Lisa Ganser's "Stalking
Mike Hawke"), and the successful elimination of boy germs ( Justine
Franko's "Boy Germs").
THURSDAY, SEPT. 30
7 P.M.
"Woubi Cheri," by Philip Brooks and Laurent Bocahut (France/Ivory Coast,
in French with English subtitles, video, 62 min., 1998)
The first film to give African homosexuals a chance to describe their
world in their own words. Often funny, sometimes ribald, but always
real, this award-winning documentary introduces us to gender pioneers
demanding their right to construct a distinct African homosexuality.
This engaging work decidedly expands one's definition of what "gay"
might mean.
9 P.M.
"Red Rain," by Laura Plotkin (USA, video, 56 min., 1999)
Laura Plotkin's no-nonsense, up-front documentary introduces Gina "Boom
Boom" Guidi, the women's world welterweight boxing champion and up-front
dyke. Plotkin effortlessly raises issues about women in sports, "acceptable
images," and personal identity, all while presenting the engaging tale
of triumph of the self-made, self-effacing Guidi, who, along with Ruth
C. Ellis, is one of the winningest personalities this festival has to
offer.
Shown with "Homocore Minneapolis," by Lisa Ganser (USA, video, 1999)
FRIDAY, OCT. 1
7 P.M.
"Everything Will Be Fine," by Angelina Maccarone (Germany, video, in
German with English subtitles, 90 min., 1997)
A movie that juggles screwball comedy, a chase sequence, adult lesbian
love, and an edgy portrayal of the everyday racism the Afro-German heroines
confront, "Everything Will Be Fine" is a one-of-a-kind film wonder:
It's funny, sexy, and smart. Dumped by her girlfriend but not ready
to let go, Nabou sneakily takes up a job as a housecleaner in her ex's
building. Soon, she's falling for Kim, her too-busy ad exec employer,
who is on the brink of making a misguided life decision (marriage, in
fact). "Everything Will Be Fine" is easily one of the most pleasurable
lesbian comedies in recent memory.
Shown with "The Catch," by Heidi Ellis (USA, 16mm, 10 min., 1999)
What do you do when a bunch of straight jocks and their silly girlfriends
mess with your picnic? Why, change the playing field, of course!
9 P.M.
BOTTOMS UP! AN EVENING OF BOYS SHORTS
The sexiest and goofiest collection of touching tales and boisterous
sexplay. The lineup (both naughty and nice) features: a summer dress
and the (possibly) bi-boy that wears it, a touching tale of a Greek
immigrant, an exploding piñata, a voracious bottom, a sitting
duck, schoolboy crushes, at least one musical number, and a levitating
butt. Titles include: Francois Ozon's "A Summer Dress," Andrew Hiller's
"Fly Away Homo," Chrsitos Dimas's "Ameri-kanos," Al Lujan's "S&M
in the Hood," Hoang Tan Ngyuen's "Forever Bottom!," and more.
SATURDAY, OCT. 2
7 P.M.
"Show Me Love," by Lukas Moodysson (Sweden, in Swedish with English subtitles,
35mm, 89 min., 1999)
A triumph at lesbian and gay film festivals worldwide, this Swedish film
also is the box office champ in its native land, besting even "Titanic"
in attendance. Moodysson's film is a poignant and fiercely comic film
about two teenage girls ready to burst out of their small town and out
of the closet. Not shy about depicting the frightening consequences that
can spring from a teenage conviction in invulnerability, "Show Me Love"
nevertheless sports the best sort of teen brazenness. These two heroines,
in pursuit of their crush, come across as some of the gutsiest high schoolers
you've ever met.
9 P.M.
"Edge of Seventeen," by David Moreton (USA, 35mm, 99 min., 1998)
Set in Sandusky, Ohio, in 1984, "Edge" presents us with Eric, a somewhat
confused teen who's starting to dress like Boy George and grow more
interested in co-worker Rod than his gal pal Maggie. "Edge of Seventeen"
is a winning and nicely bittersweet coming-out movie, triumphant yet
not without upsetting complications as its hero stumbles toward finding
himself. Winner: Best Film, 1998 San Francisco International Gay and
Lesbian Film Festival.
Shown with "The Boy Next Door," by Carl Pfirman (USA, 16mm, 13 min.,
1998)
The rivalry escalates to some serious nastiness as brother and sister
compete for the attentions of the hunky new neighbor.
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