Amos Oz Profile Photograph (70398 bytes)

AMOS OZ
Writing the Israeli Paradox
1991-1996

Fima
Israel, Palestine and Peace
Don't Call It Night
Panter ba-martef/Panther in the Basement
Mathilim Sipur/The Story Begins: Essays on Literature

fima.jpg (45356 bytes) Amos Oz.
Fima. Translated from the Hebrew by Nicholas de Lange. 1st Edition. New York: Harcourt, Brace, 1993.
Signed by the author, 22 November 1999.
"A Helen and Kurt Wolff book." Acquired with the support of the Sylvia and George Laikin Fund of the Wisconsin Society for Jewish Learning.
Call Number: (SPL) PJ 5054 .O9 M3513 1993

Published in Hebrew by Keter in 1991 as Ha-Matsav Ha Selishi, which translates as The Third Dimension. The English language title, Fima, is the name of the novel’s main character, a Jerusalemite who "dreams noble dreams but does nothing."

Special Collections, Golda Meir Library

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Amos Oz.
Israel, Palestine and Peace. 1st Edition. San Diego: Harcourt Brace Jovanovich & Company, 1995.
"A Harvest original." Previously published: Whose Holy Land? New York : Vintage, 1994.
Call Number: DS 119.7 .O96 1995

Amos Oz was among the first to advocate a two-state solution with Israel at peace with Palestine. The essays and speeches presented in Israel, Palestine and Peace were variously composed before and after the Israel-PLO peace initiatives in Oslo and Washington. In addition to writing on the Israeli-Palestinian conflict, Oz also covers such topics as the role of writers in society, his grandmother’s death in the context of language’s veracity, and the Zionist dream. It was also published by Vintage Books in 1994 as Whose Holy Land?

General Collection, Golda Meir Library

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Amos Oz.
Don’t Call It Night. Translated from the Hebrew by Nicholas de Lange. London: Chatto & Windus, 1995.
Author's signed presentation copy to the Golda Meir Library, 22 November 1999.
Acquired with the support of the Sylvia and George Laikin Fund of the Wisconsin Society for Jewish Learning.
Call Number: (SPL) PJ 5054 O9 A7813 1995b

In Don’t Call It Night, Oz concerns himself with the minute and ordinary business of daily life in Tel-Kedar, a small settlement in the Negev Desert. Through the intimacy of individual relationships and reactions to a tragic death, the story explores the limits and endless possibilities of love and tolerance and its effects on individual and community relationships. Published in Hebrew by Keter in 1994 as Al tagidi lailah.

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Special Collections, Golda Meir Library

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panther1.jpg (52493 bytes) Amos Oz.
Panter ba-martef. Yerushalayim: Keter, 1995.
Call Number: PJ 5054 .O9 P36 1995

General Collection, Golda Meir Library

Amos Oz.
Panther in the Basement. Translated from the Hebrew by Nicholas de Lange. 1st Edition. New York: Harcourt Brace, 1995.
Signed by the author, 22 November 1999.
Acquired with the support of the Sylvia and George Laikin Fund of the Wisconsin Society for Jewish Learning
.
Call Number: (SPL) PJ 5054 O9 Z46613 1997

Special Collections, Golda Meir Library

In this story, Oz revisits the Jerusalem of his childhood in the last days of the British Mandate in Palestine. The narrative centers on a twelve-year old boy named Proffy (short for Professor) who is torn between his dreams of heroic resistance against the British, his friendship with a British soldier, and his need to vindicate himself to is friends and family over this relationship with an enemy. Indoctrinated by his patriotic father and his zealous Bible teacher, Proffy becomes "an excited panther in the basement, seething with oaths and vows. . . ."

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story1.jpg (50703 bytes) Amos Oz.
Mathilim Sipur. Yerushalayim: Keter, 1996.
Call Number: PN 56 .C69 O97x 1996

General Collection, Golda Meir Library

Amos Oz.
The Story Begins: Essays on Literature. Translated by Maggie Bar-Tura. 1st Edition. New York: Harcourt Brace, 1999.
Signed by the author, 22 November 1999.
Acquired with the support of the Sylvia and George Laikin Fund of the Wisconsin Society for Jewish Learning.

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Call Number: (SPL) PN 3355 .O913 1999

Special Collections, Golda Meir Library

Oz’s most recent work is a series of essays on literature. The title translates as The Story Begins, and the essays focus on the beginnings and openings of stories, which Oz argues are as important to the fabric of a story as endings. By analyzing the opening sections of novels and short stories by such writers as Gogol, Kafka, Chekhov, García Márquez, and Raymond Carver, Oz demonstrates how authors make promises they may not deliver on, or deliver promises in unexpected ways, or deliver more than they have promised.


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Last edited on Monday, October 16, 2000.