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May
1954 (age 55)
On
May 1, Sigurd stuck sheet of canary yellow paper in his typewriter,
and started:
Where are the Pipes of Pan is a question that has to do
with perspective, a certain element of timelessness, and the need for
tranquility. It is an open challenge to mechanization, to unlimited
industrial expansion, and to the striving for material wealth.
After revisions, this would become a key part of the opening to
The Singing Wilderness
He also was having Devereux Butcher, the fiery editor of the
National Parks Association's magazine, read the essays he had written
so far. Butcher made a few suggestions, but mostly wrote about his
distress that Sigurd was writing about hunting:
It would be a grand step ahead were you to make no allusion to
killing, either with a gun or fish hook, anywhere in this book. In
fact, it would be a very big step ahead were you to forget that you
have ever used a gun for pleasure, and from now on never to think of
doing so again. Put all thought of the idea that there is or can be
fun in destroying life from you for good and all....It is utterly
impossibly to feel sympathy with or for the wild creatures if you
feel no remorse at taking their lives needlessly. And if you did
feel remorse, you would soon stop doing it.
Sig, I would sure hate to see you toting a gun in the wilds,
except for self defense. If I ever did, I would never get over it. I
really do believe that you are in tune with nature, and that you
have a profound love of all the living creatures...and I never want
to think otherwise....The Izaak Walton boys aren't going to think
less of you if you refrain from mentioning the "glories"
of the chase and the kill...and furthermore, you are likely to find
a more widespread audience for your book if you omit such mention.
You will recall that I suggested making this a book of the
NPA. It could not possibly be an Association book if it extols
pleasure killing, even in the least degree.
Sigurd, who was president of the NPA at the time, wrote to a
friend about people like Butcher who opposed hunting: "It is
absolutely impossible for those chaps to understand people who hunt or
for that matter people who fish. All are killers. I spent some time
going over the last Nat. Parks book deleting such references to
hunters as killers, butchers, gunners, etc. etc. They will not and
cannot change and there is no use even talking to them on this
particular phase of thinking."
Another
interesting event: On May 28, Sigurd was in Chicago for a meeting of
the Quetico-Superior Council. The group viewed a Johnson Motors film
called "Autumn Holiday," about a family group traveling
through the Superior National Forest Roadless Areas (known today as
the Boundary Waters Canoe Area Wilderness). In the film, the family
traveled through Crane Lake to Lac La Croix, using a boat with a
Johnson 25 hp motor. Johnson apparently was hoping for the endorsement
of the film by the Quetico-Superior Council and The Wilderness
Society. The reaction to the film was negative, but apparently they
were holding off formal comments until after June 15th, when Johnson
was scheduled to make a gift to the Izaak Walton League of America.
Writing on May 31 to Howard Zahniser, executive director of the
Wilderness Society, Sigurd said:
The thought of this film encouraging heavy use with big
cruisers and heavy motors is a frightening one. This is still
wilderness canoe country even with the invasions that exist. It
could swiftly lose all of its primitive character if such use as the
film portrays really developed. It looks so easy and so wonderful
that many others will be tempted to try it. This film is encouraging
a dangerous trend.
The Quetico Superior Committee has never taken a stand against
outboard motors because we have decided to wait and see what public
use is made of them. You can only fight one battle at a time. It may
be that public opinion will demand their elimination if it gets too
bad. Time will tell. In the meantime we are fully aware of the
growing threat, not so much with small motors on canoes but with
large craft such as the one depicted.
    
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