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While much of this issue is devoted to the "big picture",
wilderness around the world, our personal sense of wilderness or
wilderness is actually very small, personal and private, but very
important. Tennyson said it best, perhaps, when he wrote "Flower
in a crannied wall,/ . . . if I could understand/What you are,
root and all, and all in all,/I should know what God and man is."
Sig Olson quotes William Blake to the same effect. "To
see the world in a grain of sand,/And heaven in a wild
flower;/Hold infinity in the palm of your hand,/And eternity in an
hour."
This
appreciation is at the heart of Listening Point and the Listening
Point philosophy, stated explicitly in the first chapter of the
book. It is at the heart of Sigurd Olson's love of the wilderness.
Scan some of the chapters from this and other books to see how
many times he refers to this scent, that sight, this sound, the
howling of the wolf, the call of the loon, the smell of balm of
Gilead, of balsam, and the smell and feel of the earth itself. How
he loved the little things, a mouse sliding down his tent in the
moonlight, the sound of the rain, the drip of snow melting off his
roof in the spring sun. One evening after a sauna, I found him
lying face down on the swimming dock, as if he had collapsed with
a heart attack. Then he murmured, "I'm all right, Bob, I am
just listening to the chuckling of the waves under the dock."
I live in the country, not a wilderness, but among the woods
and fields. There are trails around the place but no intruders
other than myself. There are places where great old-growth pines,
the magical floor of the forest in spring, the private silence of
the marsh, speak to me of the old, almost but not quite forgotten
old, old world from whence we came. This, five minutes from my
house. Yet, is it not what wilderness is all about? I have no need
to scale the heights to find it, nor to sail the oceans, nor to
lose myself in the solitude of the desert. For me, it is here. It
is near. It is now.
In a recently discovered piece of unpublished writing, Sig
wrote that when we speak of wilderness values, we do not
necessarily mean vast expanses of primitive country. We also speak
of small places close at hand, a brushy undeveloped corner with a
few shrubs and trees, a patch of grass or bracken, a cluster of
wild flowers beside a roadway or trail, a cloistered dell where
water trickles down over the rocks. Nothing large or dramatic
here, but within them all is wilderness. (1)
This may not be wilderness with a big W, but it is
wilderness. Who has not seen the little plaques for sale in garden
shops with the saying, "You are nearer to God in a garden,
than anywhere else on earth."
Look out for the publication this spring of a book called
Voices for the Land, Minnesotans Writing About the Places They
Love to be published by Milkweed Press. Twenty-five
Minnesotans write about their own special places in a project
sponsored by 1000 Friends of Minnesota, which hopes to start a
statewide grassroots discussion about land use and development in
Minnesota.
It is true, that small is beautiful and that everyone has a
listening point of his own somewhere.
(1)(With permission of the City of
Duluth, which in 1975 commissioned Sigurd Olson to write the
introduction to Volume 2, ?Urban Wilderness? of the Duluth Legacy
project, which was never published.) |