English 350-628-001
Seminar in Literature by Women: Formal Experimentation
and Substantive Transgression in the Literature of Twentieth Century Women
Instr:
Sheila Roberts
Office:
CRT 597, 229-4534
e-mail:
svrob@uwm.edu
Office hours: by appointment
Course Information:
TR 4:30 to 5:45pm. CRT 468
Course Description
In this course we will examine fiction, poetry, photographs, and
films created by women who expressed the need to undermine traditional
norms; experiment with new forms; challenge
the well-established Modernist aesthetic; and depict how the
words "feminine" or "unfeminine" are merely umbrella terms overshadowing
the full complexity, richness, and dangerousness of female experience.
We will read and examine, as available, the following texts:
Fiction:
Nightwood by Djuna Barnes
Good Morning Midnight by Jean Rhys
Good Night Sweet Ladies by Caroline Blackwood
The Autobiography of My Mother by Jamaica Kincaid
Widow Basquiat by Jennifer Clement
Down Among the Women by Fay Weldon
The Lover by Marguerite Duras
Les Guerrilleres by Monique Wittig
A Selection of Poems by Edna St. Vincent Millay, Stevie
Smith, Sylvia Plath, Anne Sexton, Adrienne Rich, Marianne Moore, and others
A Selection of Photographs by Diane Arbus, Sally Mann,
and others.
A Discussion of Films such as Go Fishing, The Song
Catcher, Swept Away, The Seven Beauties, et al.
Assignments: Grades will be apportioned in this way:
20% Five abstracts (1-2 pp.) from any five fictional texts.
The nature of abstracts will be explained in class.
10% One essay on a photograph or pair of related photographs
(3 pp.)
10% One essay on a film (3 pp.)
20% One twenty-minute class presentation on a poem or
group of poems.
40% A Final Paper (8-10 pp.)
Students who are consistently late, absent, and uncommunicative,
run the risk of failing this course.
Religious Holidays will be respected.
I reserve the right to make alterations to the list of texts and
to the class schedule, as I see fit.