VOLUME 29.1
CONTENTS
Poetry
Rebecca Aronson
Aperture
Hadara Bar-Nadav
Sacrifice
Deep-Sea Queen
Kristin Bock
Scarecrow
John Randolph Carter
What'll I Write? About How Lonely I am?
Stanley Chin
Clouds Clearing Over Delft (after Jan Vermeer)
Amy M. Clark
Calla Lily
Arc
Meredith Cole
Daisies
Anemone
J.L. Conrad
Eclipse II
Jennifer Foerster
Vanishing Point
Embodiment
Alex Grant
Authenticity of the Bones
Chris Green
In the Blue Stairwell
gabrielle jesiolowski
sudden delivery of blossoms
the first need
Mauricio Kilwein Guevara
What Baby Gertrude Heard
Whisper Beside Falling Bodies
Stephen Massimilla
Reconnaissance
Amanda McGuire
Snapshots Never Developed
Amanda Pritchard Moore
Opening the Hive
Judith Nacca
February: Lunar Month One
March: Lunar Month Two
Leah Nielsen
Attempt at a Wedding Poem for My Sister
Second Attempt at a Wedding Poem for My Sister
Lisa Olstein
Begin
In the Meantime
Víctor Rodríguez Núñez
Cantina in Cochabamba
Naval Engineering Translated by Katherine M. Hedeen
David Romtvedt
Gone
Kate Rosenberg
Advanced Proficiency Examination
Susan B.A. Somers-Willett
Ring One
Ring Three
The Naming of Eve
Osvaldo de la Torre
A Failure
Fritz Ward Postcards from the Other Side of the Table
Rynn Williams
Single Girl Loses Her Resolve
Valerie Wohlfeld
Soup
Tricia Yost
A Rare Occurrence
Patricia Zontelli
They Need
Fiction
J. Dixon Hearne
Tethered Hearts
Julie Iromuanya
The Walk of an Empty Woman
Joshua Malbin
Dollhouses with no dolls in them
Teresa Milbrodt
Box
Robyn L. Murphy
Fourth Commandment
H.M. Patterson
Ass Burger
Dave Peters
Work: Description
Fiction Contest Winner
JP Briggs
The Bowtie
Creative Nonficiton
Karen Lee Boren
Draw Through Eyes
Eugenia Chao
Dreams
Interview
Erica Wiest and H. Suzanne Heagy
Imaginary Landscapes: An Interview with Nicholas Jose
and Chris Wallace-Crabbe
Book Reviews
Dick Allen
Poems That Stand by Themselves: A Review of Marilyn Taylor's
Subject to Change
Dan Brown
Coming Back Around:
A Review of Gary Snyder's Danger on Peaks
Heather Lee Schroeder
Political Unrest Illuminates the Heart of an American Rebel:
A Review of Russell Banks's The Darling





